|Anderson performing at the March |
on Washington - Courtesy of Policymic.com
Thursday, August 29, 2013
Wednesday, August 21, 2013
Now that September is upon us it is time to dive headfirst into the Auditions again. In order for us to make this the best experience we possibly can for our audience, we would love to hear what you think.
Just take the short survey below and you will have a chance of winning a $100 Amazon gift card. Imagine all the wonderful Live in HD DVDs you can buy with a gift card like that.
|The SFU Library Editorial Cartoons Collection|
Posted by Unknown at 2:48 PM
Thursday, August 1, 2013
|Diana Damrau for EMI by Rebecca Fay|
An integral part of the entertainment industry, whether it is film or music, is a headshot. Having the perfect headshot taken can be a daunting task, but it shouldn't be with the right photographer. I contacted Rebecca Fay, the wonderful photographer who not only documented our 2013 gala, but also the Semi and Grand Finals at the Metropolitan Opera House. She has taken headshots of the hottest stars in the business, from many National Council applicants (and winners), to Diana Damrau's cover for her newest EMI album.
If you are in the market for some new headshots yourself, you can contact Rebecca at firstname.lastname@example.org. You can check out her work on her website and on her facebook page.
Rebecca started her career in the opera world as a singer. As she explains:
|Naomi Ruiz by Rebecca Fay|
Opera Idols: What made you go from being on stage to being behind the camera?
Rebecca Fay: Honestly, it’s kind of a sad story of being too competitive and losing focus. I became so fixated on winning that I lost the thing that made me special: my vulnerable self. I would go into auditions and not share anything real or genuine with the audition panel. I had hardened myself to rejection. I became obsessed with the competition and lost sight of my own special talents. I was trying on every other aria that someone else sang in order to do it better, even when it was vocally unsuitable. When I shifted my focus to celebrating others rather than competing with them, I felt so much better in my heart. It was an effortless transition that has improved my relationship with myself and the world.
OI: Are you influenced in your work by your own experience on stage?
RF: I am constantly drawing on my many years of training with Carol and other important directors. Secrets from legendary performers are whispered to only a privileged few.
OI: What can singers expect when they have their headshots taken with you?
RF: That is something that you will just have to come experience for yourself. I have to have my secrets.
OI: How many shots do you generally take and how do you go about picking the right ones? Do you edit them a lot?
RF: I usually take as many pictures as I possibly can. I like to think of the shoot as a movie I am watching that I have to capture organically.
As far as editing, it depends on the mood of the shot. Most photographers compare themselves by how little editing is required. Less editing indicates true mastery of technique.
|Erik Anstine for CAMI by Rebecca Fay|
RF: I am usually very involved in styling the shoot. I am art director and photographer in one. Simple is better.
OI: Do you have a preference for indoor or outdoor shoots?
RF: I am much more comfortable with natural lighting. Studio lighting has always been challenging for me, but is sometimes necessary for very high-end clients. I really excel with natural lighting because I understand it more. The sun is an abundant and free light source that I can constantly manipulate.
OI: Any further tips for the singers when getting their headshots taken or when auditioning.
RF: Be yourself. It’s good enough. Don’t ever pretend. Learn what is your “persona” and get rid of it immediately. That isn’t what makes you special - it’s simply you.